Film Reviews

10th annual GuadaLAjara Film Festival

No Man's Land: A strictly delimited movie about borders

By Erik Schreiber, 25 January 2021

Filmmaking brothers favor the personal and shun the political in a Western set in Texas and Mexico.

International filmmakers demand end to Israeli ban on Mohammad Bakri’s Jenin, Jenin

By Jean Shaoul, 23 January 2021

Among those supporting Bakri are British film directors Ken Loach and Asif Kapadia, Finnish screenwriter and director Aki Kaurismaki, Palestinian filmmakers Michel Khleifi and Annemarie Jacir and Israeli director Eyal Sivan.

I’m Your Woman: The problem of films not genuinely drawn from life

By David Walsh, 21 January 2021

In the 1970s, a suburban housewife in the Pittsburgh area leading a largely conventional life experiences a series of increasingly rude and dangerous shocks.

Disney’s Soul in Denmark: New York Times disapproves of a white actor dubbing a black actor’s voice

By David Walsh, 20 January 2021

The Times is unceasing in its campaign to racialize every important aspect of life in the US and globally, encouraging divisions in the population along ethnic lines and facilitating the growth of the far right.

Louis van Beethoven: A German film biography of the great composer

By Clara Weiss, 18 January 2021

The movie introduces many important themes of the revolutionary epoch that shaped Beethoven as a composer and thinker, but barely develops them.

Magia Record, Kakushigoto, Fruits Basket and Sword Art Online: A general review of anime in 2020

By Matthew MacEgan, 16 January 2021

A total of 140 Japanese animated television series numbering more than 1,865 episodes debuted in 2020. Our critic comments on a selection of the more popular titles.

499 and Summertime at the 10th annual GuadaLAjara Film Festival

By Erik Schreiber, 15 January 2021

The most recent edition of the festival sought to convey the experience of people who have lived on both sides of the border between the United States and Mexico.

August Wilson’s Ma Rainey’s Black Bottom on Netflix: The blues is “life’s way of talking”

By Carlos Delgado, 14 January 2021

Strong performances and thrilling music power this engaging adaptation of August Wilson’s 1984 play.

George Clooney’s The Midnight Sky: Not doing a good job of looking after the planet

By Joanne Laurier, 13 January 2021

The Midnight Sky, a post-apocalyptic science fiction film directed by George Clooney, is done with some care and sensitivity, but ends up primarily as an exercise in resignation.

Based on a Jack London short story

The Minions of Midas: The making of a certain social type

By David Walsh, 9 January 2021

In the drama’s favor, one must say, first of all, that it is unmistakably of our day: riots in the streets, political and financial secrets concealed from the population, endless, antidemocratic machinations at the top of society.

Once Upon a River: A Native American girl wanders the waterways

By Joanne Laurier, 6 January 2021

The movie follows a Native American teenager through various trials and tribulations. Set in western Michigan in the 1970s, Once Upon a River recounts the adolescent’s supposed emotional education.

My Little Sister: Two siblings clinging together

By Bernd Reinhardt, 5 January 2021

Can love between siblings survive when a brother falls ill and needs care, while his sister enjoys life as one of society’s affluent? This is the question posed by the Swiss film My Little Sister.

Best films and television of the year and the devastation of cultural life

By David Walsh and Joanne Laurier, 31 December 2020

It is not possible to discuss any aspect of artistic life, or life in general, in 2020 without central reference to the COVID-19 pandemic, which the various ruling elites have permitted to ravage the world’s population.

Tribes: A short comedy film mocks identity politics

By Ed Hightower, 29 December 2020

“I want to tell this story to show that, in essence, we’re all part of the same tribe.”—Director Nino Aldi.

Ron Howard’s Hillbilly Elegy: Blaming the poor for their problems

By Carlos Delgado, 24 December 2020

The film, based on J.D. Vance’s 2016 memoir, is a bland and conformist work that ignores the sources of the social problems it portrays.

Young Ahmed: A portrait of a youthful religious zealot—from the Dardenne brothers

By David Walsh, 18 December 2020

Jean-Pierre and Luc Dardenne often dramatize situations and problems they locate, as in the case of Young Ahmed, in their native region of southern Belgium, one of the oldest and most decayed industrial areas in the world.

Amin: A worker far from home

By Joanne Laurier, 12 December 2020

Amin is a subdued, thoughtful look at the condition of migrant workers who break their backs in the metropolitan countries to feed their families in their native lands.

Mank: Screenwriter Herman Mankiewicz and the writing of Citizen Kane

By David Walsh, 10 December 2020

Mank is a biographical drama about screenwriter Herman J. Mankiewicz and his role, or purported role, in the creation of Citizen Kane, the first film directed by and featuring Orson Welles.

76 Days: On the front lines of the coronavirus battle in Wuhan

By David Walsh, 8 December 2020

The documentary was one of the best movies at this year’s Toronto film festival. It contained some of the most authentic and memorable drama. The documentary is now available on “virtual cinema” platforms in the US.

Borat Subsequent Moviefilm: The joke’s on who?

By Ed Hightower, 7 December 2020

Writer-performer Sacha Baron Cohen cannot resist mocking even the most undeserving targets, including a Holocaust survivor who tries to disabuse the title character of his (feigned) anti-Semitism.

Adu: A young African boy on a perilous journey

By Joanne Laurier, 5 December 2020

Adu is a hard-hitting Spanish film about the global refugee crisis, dramatizing its vast dimensions through the travails of a young boy as he makes a life-threatening journey throughout Africa.

And Breathe Normally from Iceland: Two women in conditions “when everything is going wrong”

By David Walsh, 4 December 2020

There are not that many films in which a director captures accurately and artistically the “everyday” pressures of working class life.

Company Town: a damning look at the role of Unifor in the GM Oshawa plant closure

By Lee Parsons, 28 November 2020

The film follows events from the time of the closure announcement in November, 2018 until the final day of production a year later.

Trial 4: A shameless police frame-up in Boston

By Joanne Laurier, 24 November 2020

Trial 4 is an eight-episode documentary television series, currently streaming on Netflix that examines the case of Sean Ellis, a black teenager wrongly convicted of the 1993 murder of police officer John Mulligan.

The Endless Trench: Hiding for decades from the Spanish fascists

By David Walsh, 20 November 2020

The film fictionally treats an actual phenomenon, the dozens or more of left-wing opponents of Franco, known as “moles,” who concealed themselves in their own homes for 30 years following the defeat of the Republican forces in 1939.

Italian actress Sophia Loren returns to the screen in The Life Ahead

By Fred Mazelis, 18 November 2020

The 86-year-old actress remains a magnetic presence in this worthwhile film.

Re-release of Bong Joon-ho’s Memories of Murder (2003): A picture of South Korean society

By David Walsh, 14 November 2020

An early film by South Korean writer-director Bong Joon-ho (Parasite) has been released over the course of the past year in a number of countries—and now in the US. It is well worth seeing.

Belly of the Beast: The cruelty of forced sterilization in America

By Joanne Laurier, 13 November 2020

Belly of the Beast is a documentary on practices carried out at female penitentiaries in California.

Rebecca (2020) and Rebecca (1940): A new film version of the popular novel, and the old one

By David Walsh, 9 November 2020

The Netflix film is an adaptation of Daphne du Maurier’s 1938 novel of the same title, which was previously made into a film in 1940, directed by Alfred Hitchcock.

More than just James Bond: Sean Connery (1930-2020)

By Paul Bond, 7 November 2020

Strikingly attractive and hard-edged, Connery’s suave and imposing presence gave the character much of its authority.

Three short films–including The Present, about the brutality of Israeli checkpoints

By Joanne Laurier, 5 November 2020

Oppression of the Palestinians, child hunger and the COVID-19 pandemic are dealt with in two short films and an hour-long documentary.

The Hummingbird Project: Speed is of the essence

By David Walsh, 31 October 2020

Two cousins intend to shave milliseconds off the time it takes to make stock market trades and thus earn themselves a fortune.

The Nightingale: Australia’s brutal colonial past exposed

By Jason Quill, 27 October 2020

Jennifer Kent’s film follows Irish convict Clare Carroll through the Tasmanian wilderness in 1825, as she seeks revenge for a terrible act of violence committed against her family.

Whose Vote Counts, Explained: Netflix series examines voting rights in America

By Fred Mazelis, 26 October 2020

Like all basic democratic rights, the right to vote can only be defended through the independent political struggle of the working class.

Aaron Sorkin’s The Trial of the Chicago 7: An important historical episode

By Joanne Laurier and David Walsh, 24 October 2020

The film deals with the court proceedings in 1969–70 in which organizers of protests at the 1968 Democratic National Convention in Chicago faced charges of conspiracy and crossing state lines with the intent to incite a riot.

Tesla: The cognizable, knowable scientist and visionary

By Joanne Laurier, 15 October 2020

Written and directed by Michael Almereyda, Tesla is a drama about the life of Serbian-American engineer and physicist Nikola Tesla (1856-1943), a remarkable figure. Ethan Hawke plays Tesla.

The Artist’s Wife: A portrait of the artist as an aging semi-entrepreneur

By Joanne Laurier, 12 October 2020

The Artist’s Wife looks at a successful painter’s life. The artistic personality continues to fascinate the public. But does the film shed much light on the phenomenon?

Free State of Jones available again on Netflix

By Joanne Laurier, 5 October 2020

This important film from 2016 is now available again on Netflix. It is a rebuke to the racialist politics of the New York Times and the Democratic Party and to the 1619 Project in particular.

Ratched on Netflix: Rehabilitating a petty tyrant

By Carlos Delgado, 3 October 2020

The show is a ridiculous, bloody spectacle of mayhem and murder, with a hefty dose of feminism for good measure.

Toronto International Film Festival 2020: Part 3

Limbo, Gaza mon amour, The Disciple: Art is both richer and duller than life

By David Walsh, 30 September 2020

Leon Trotsky pointed out in a 1939 article, unpublished during his lifetime, that “in a certain sense” art was “richer than life, for it can both overstate and understate.”

Toronto International Film Festival 2020: Part 2

Frances McDormand in Nomadland—the danger of making a virtue out of necessity—and David Byrne’s American Utopia (directed by Spike Lee)

By David Walsh, 25 September 2020

It is a serious mistake, a terrible irresponsibility, to treat life in this manner, to turn the social into the “natural” and inevitable.

Toronto International Film Festival 2020: Part one

76 Days: The drama of the Wuhan lockdown

Under the Open Sky from Japan, The Best Is Yet to Come from China

By David Walsh, 23 September 2020

This year’s event presented some 60 feature films, a sharp decline from the more than 330 screened in 2019, with the festival organizers forecasting a 50 percent decline in revenue throughout 2020.

Charlie Kaufman’s I’m Thinking of Ending Things: A neglected man neglected again

By Joanne Laurier, 18 September 2020

In Kaufman’s latest film, a high school janitor, presumably in the moments before his final mental collapse and physical self-destruction, has his life—or, rather, for the most part, a fantasy version of his life—flash before his (and our) eyes.

An interview with Michael Fitzgerald, producer of Waiting for the Barbarians

By David Walsh, 16 September 2020

Fitzgerald has a history in movies extending back to the late 1970s. He first produced two films with John Huston, Wise Blood (1979) and Under the Volcano (1984).

Beyoncé’s Black is King: A self-absorbed ode to “blackness”

By Nick Barrickman, 14 September 2020

The US singer-songwriter’s musical film and visual album seeks to focus its lens on the African continent and its diaspora, with decidedly limited effects.

Film version of Jack London’s Martin Eden: An artist who loses touch with everyday life

By David Walsh, 11 September 2020

Directed by Italian filmmaker Pietro Marcello, the film is a valuable adaptation of London’s well-known 1909 novel, transposed to mid-20th century Italy.

The Silence of Others: The victims of Spanish fascism then and now

By Alejandro Lopez and Kevin Martinez, 7 September 2020

Timely and moving, the Spanish documentary details the efforts of activists and torture survivors to prosecute Francoite officials for crimes against humanity.

Chadwick Boseman (1976–2020): A talented actor, now hailed as a “king”

By Carlos Delgado, 5 September 2020

Far from honoring his memory, the media’s over-the-top eulogizing demeans the actor’s work and serves reactionary political ends.

Coup 53 recounts the role of British intelligence in overthrowing Mosaddegh government in Iran

By Jean Shaoul, 3 September 2020

The film documents the part played by MI6 in the 1953 Anglo-American coup that ousted Iran’s nationalist Prime Minister Mohammad Mosaddegh and ushered in 26 years of a murderous dictatorship under Shah Mohammad Reza Pahlavi.

Waiting for the Barbarians: “You are an obscene torturer. You deserve to be hanged!”

By David Walsh, 2 September 2020

Based on the 1980 novel by South Africa-born writer J.M. Coetzee, with also—importantly—a screenplay by Coetzee, the film is set on the remote outskirts of a fictional (or composite) “Empire” sometime apparently in the 19th century.

Immigration Nation reveals the suffering of migrants at the hands of the US detention and deportation machine

By Fred Mazelis, 1 September 2020

The Trump administration tried to stop or delay the release of this important documentary.

Radioactive: The pioneering efforts of physicist and chemist Marie Curie

By Joanne Laurier, 31 August 2020

Marie Curie (1867-1934) was the first woman to win the Nobel Prize, and the first person and only woman to win it twice. Her life and work are the subject matter of Iranian-born French filmmaker Marjane Satrapi’s feature.

Seberg: The story of actress Jean Seberg racialized and trivialized

By James Brewer, 25 August 2020

Decisions made in the script distorted the film’s narrative before the highly capable cast ever got in front of the camera.

The Truth: Catherine Deneuve as an actress with her feet on the ground

By David Walsh, 22 August 2020

A French actress in her 70s, Fabienne Dangeville, receives a visit at her elegant Paris home from her daughter Lumir, son-in-law Hank and grand-daughter Charlotte, who live in New York.

Desert One: Barbara Kopple returns to the fold with her Iran hostage crisis film

By David Walsh, 21 August 2020

Released in theaters or available to stream today, Desert One is a documentary film about the US military’s effort in April 1980 to free American embassy staff captured during the 1979 Iranian revolution.

Kelly Reichardt’s First Cow: Two men in the wilderness face something more dangerous—big business

By Joanne Laurier, 19 August 2020

US filmmaker Kelly Reichardt’s new film, First Cow, set in the 1820s in the Pacific Northwest, deals with the origins of North American business—and the value of and the need for solidarity.

Helen Mirren, Ian McKellen in The Good Liar: The consequences of light-mindedness

By David Walsh, 17 August 2020

Essential conformism on important matters seems an apt summing up of Bill Condon’s film career to date. At any rate, The Good Liar will not do much to change one’s attitude.

Theater on your personal device

The Line movingly conveys health care workers’ struggles during the pandemic

By Erik Schreiber, 7 August 2020

A powerful play based on interviews shows how New York City’s health care workers battled the pandemic as the health care system collapsed around them.

The Invisible Man: A woman struck by an “unseen hand”

By Joanne Laurier, 3 August 2020

The Invisible Man feeds on the #MeToo mood, becoming the latest entry in what one critic calls “boom times for feminist revenge narratives.”

Shirley: A fictionalized account of writer Shirley Jackson’s life

By David Walsh, 29 July 2020

Even those belonging to certain generations who do not know Jackson’s name will likely recall her disturbing 1948 short story, “The Lottery,” one of the most anthologized pieces of fiction in American history.

Ennio Morricone, among the greatest composers for the cinema, is dead at 91

By Marc Wells, 8 July 2020

Ennio Morricone will undoubtedly be mourned by millions of people around the world. He composed scores for 70 award-winning films, and more than 70 million recordings of his music had been sold by 2016.

Spike Lee’s Da 5 Bloods: A lifetime of war

By Hiram Lee, 2 July 2020

Four African-American veterans of the Vietnam War return to present-day Vietnam to recover the remains of a fallen comrade. Buried with him is a cache of gold bars worth millions.

British actor Ian Holm (1931–2020): Classical performance adapted for the screen

By Paul Bond, 27 June 2020

It is difficult not to see his subsequent representation of a character’s inner life as being drawn from his family background.

Antigone from Canada recounts the struggle of an immigrant youth to defend her brother against state violence

By Laurent Lafrance, 24 June 2020

Unlike insipid mainstream Canadian cinema, Antigone deals honestly with critical issues such as the oppression of immigrants, police violence, a mounting youth revolt and, to some extent, social inequality.

Quebec film distributors censor Roman Polanski’s J’accuse

By Louis Girard, 20 June 2020

Yielding to the anti-democratic #MeToo campaign, distributors in Quebec refused to buy the rights to Polanski’s remarkable film about the Dreyfus Affair.

Seven Days in May (1964): When American filmmaking envisioned a military coup

By Joanne Laurier and David Walsh, 19 June 2020

Directed by John Frankenheimer and featuring Kirk Douglas, Burt Lancaster and Fredric March, the film envisions an attempt to overthrow constitutional rule in the US. Where do we stand 56 years later?

Abel Ferrara’s Tommaso: The only clouds on the horizon are personal ones

By Erik Schreiber, 18 June 2020

Ferrara’s latest semiautobiographical film focuses on certain of the director’s fixations with hardly any reference to the larger, convulsive world.

The BBC’s Sitting in Limbo: Compelling dramatization of the anti-migrant Windrush scandal

By Margot Miller, 17 June 2020

Vicious measures were introduced in the aftermath of the 2008 banking crash and subsequent bailout to try and divide the working class by scapegoating ethnic minorities and migrants for the austerity that followed.

True History of the Kelly Gang: Little resemblance to the real story

By Jason Quill and Richard Phillips, 13 June 2020

Justin Kurzel’s film is the 16th about the late 19th century Australian bushranger and anti-establishment outlaw.

Homecoming, Season 2: The menacing “giant” that is the US military-industrial complex

By David Walsh, 12 June 2020

The second season of Homecoming, the web television series about US corporate-military criminality, premiered on Amazon Prime Video on May 22.

Baghdad Central on Hulu: Where is the outrage?

By Joanne Laurier, 10 June 2020

Baghdad Central, a six-part series on Hulu, is a crime drama set in the wake of the 2003 US invasion and occupation of Iraq.

Italian actress Lucia Bosè (1931-2020), Rome 11:00 and the social dimensions of a tragedy

By Hiram Lee, 9 June 2020

Italian actress Lucia Bosè died March 23 from complications related to COVID-19. She was 89 and living in Segovia, Spain at the time of her death. Bosè got her start in the Italian neorealist movement, known for its dramatizations of the lives of the poor and working class.

All Day and a Night: Life in prison to look forward to

By Kevin Martinez, 8 June 2020

Although no doubt well-intentioned and containing realistic elements, the film, unfortunately, follows a rather predictable path.

Uncut Gems: How to win bets and alienate people

By Erik Schreiber, 6 June 2020

The latest film from the Safdie brothers has much momentum, but little insight into its grasping protagonist or his tawdry world.

Unorthodox: Netflix series tells story of young woman’s flight from Hasidic community in New York

By Fred Mazelis, 3 June 2020

Esty Shapiro, a 19-year-old unhappily married woman in Brooklyn, leaves her Jewish ultra-Orthodox Hasidic community, traveling to Berlin to find her mother and begin a new life.

Singer Johnny Cash’s first wife: My Darling Vivian shows us the woman who walked the line

By Erik Schreiber, 29 May 2020

An often-touching documentary recounts how Cash’s first wife coped with unwanted media attention, her husband’s increasing emotional distance and racist threats.

“Lost our connection after the war”

Once Were Brothers: Robbie Robertson and The Band—a documentary film

By James Brewer, 25 May 2020

Robbie Robertson: “The story of the Band is beautiful. It was so beautiful it went up in flames.”

Woody Allen’s A Rainy Day in New York: A little more of an edge than usual

By David Walsh, 16 May 2020

Disgracefully, A Rainy Day in New York has been suppressed in the US. The film was completed in 2018, but Amazon Studios refused to distribute it.

The thievery in Bad Education: Capitalism “is the villain more than any one individual”

By Joanne Laurier, 11 May 2020

Bad Education on HBO concerns the largest embezzlement scandal in the public education system in US history, in Roslyn, Long Island, a crime that came to light in 2004.

Ricky Gervais’ After Life: To be or not to be, that’s one of the questions

By David Walsh, 9 May 2020

Tony Johnson (Gervais) is devastated by the death of his beloved wife Lisa (Kerry Godliman) from breast cancer. He finds it difficult to carry on with life and frequently contemplates suicide.

Resistance and The Resistance Banker: Dramas of the struggle against Nazism

By Joanne Laurier, 1 May 2020

The crimes of the Nazis, the greatest ever committed against humanity, generated some of the noblest and most self-sacrificing actions in the struggle against their barbarism.

BBC Panorama exposes government responsibility for UK health worker deaths

By Thomas Scripps, 29 April 2020

Using documents from within the NHS supply chain, the investigation rips apart ministers’ claims to have provided 1 billion items of personal protective equipment in the last two months.

The Innocence Files on Netflix: Freeing frame-up victims from prison

By Joanne Laurier, 27 April 2020

The production of and interest in the nine-part documentary are part of the growing opposition in the US both to the death penalty and to mass incarceration.

Star Trek: Picard—The prospects of an aging icon

By Lee Parsons, 18 April 2020

Set late in the 24th century, Star Trek: Picard concluded its 10-episode season in March to generally favourable reviews, if a mixed reception from the faithful.

Curtiz: A film about the filming of Casablanca in 1942

By David Walsh, 17 April 2020

Michael Curtiz was one of the most prolific, talented directors in history, with some 180 films to his credit—a third of them made in his native Hungary and other European countries by the time he emigrated to the US in 1926.

A conversation with Mark Harris, director of Black & Privileged

By Nick Barrickman, 11 April 2020

The World Socialist Web Site spoke last week to the Chicago-based director and discussed issues related to his recent film.

Colewell: The people and places in America that don’t count

By Joanne Laurier, 10 April 2020

Colewell follows Karen Allen as Nora, a postal clerk in a fictitious rural Pennsylvania town. The one-person post office is the center of her existence and has been for numerous decades.

Black & Privileged: Poor African Americans “intrude” on an affluent Chicago neighborhood

By Nick Barrickman, 4 April 2020

Mark Harris’s television film tells the story of a middle-class black community “disrupted” when low-income people are forced to move in.

70th Berlin International Film Festival—Part 5

Strike or Die and several shorts: Filipiñana, Union County, Huntsville Station: A renewed interest in workers’ lives

By Verena Nees, 30 March 2020

This year’s Berlinale showed films featuring workers and their families as central characters who, despite oppressive living conditions, exhibit self-confidence, pride and a degree of rebellious spirit.

70th Berlin International Film Festival—Part 4

My Little Sister, Kids Run, Running on Empty and Sleep speak to growing social tensions and persisting historical nightmares

By Bernd Reinhardt, 24 March 2020

In recent years, a small minority of the middle class have successfully pursued their careers and become wealthy while a large majority directly confront poverty. This polarisation also applies to the art and film world.

70th Berlin International Film Festival—Part 3

Curveball—Germany’s role in the Iraq war—and the horrors of the concentration camp in Persian Lessons

By Stefan Steinberg, 18 March 2020

Johannes Naber’s film is a political satire rooted firmly in evidence researched by the director and his team. Vadim Perelman’s work follows a man who has to invent an entire language to survive.

70th Berlin International Film Festival—Part 2

Speer Goes to Hollywood: A wake-up call about the danger of trivialising Nazi crimes

By Verena Nees, 11 March 2020

The title of Vanessa Lapa’s documentary, Speer Goes to Hollywood, and its tagline, “The Unbelievable Second Career of the Good Nazi,” are enough to stop one in one’s tracks.

Push: An exposure of financial parasitism and the global housing crisis

By Jean Shaoul, 7 March 2020

The film exposes the criminal role of the finance industry, aided and abetted by an army of lawyers, advisors and not least governments, in evicting people and jacking up rents after giving properties a superficial makeover.

Roman Polanski gets César for best director for J’Accuse, in repudiation of #MeToo

By Alex Lantier, 29 February 2020

The French Film Academy openly defied demands from the #MeToo movement and President Emmanuel Macron’s government not to give Polanski an award.

70th Berlin International Film Festival—Part 1

Some tantalising glimpses of social reality

By Verena Nees, 28 February 2020

The 70th Berlinale offers an interesting program, including a significant number of films dealing with the current, tense social situation.

Michael Winterbottom’s Greed: A searing indictment of the super-rich

By Thomas Scripps, 26 February 2020

Greed offers a sharp and often funny critique of the impact on society of rule by a criminal financial oligarchy, and deserves a wide audience.

Echo in the Canyon: The “California sound” of the mid-1960s

By Joanne Laurier, 24 February 2020

Echo in the Canyon, a documentary, celebrates the music and performers who came out of Los Angeles’ Laurel Canyon neighborhood in the mid-1960s.

Claire Mercer speaks on the campaign to abolish UK smart motorways—Part 1

By Robert Stevens, 19 February 2020

Claire Mercer is leading a fight to end the use of “smart motorways” after her husband, Jason, was tragically killed on a smart motorway near Sheffield, on June 7, 2019.

#MeToo collaborates with fascistic forces to block showing of Polanski’s film J’Accuse

By Alex Lantier, 15 February 2020

Allied with the reactionary Macron government, #MeToo demands the censorship of Polanski’s brilliant account of the anti-Semitic frame-up of Captain Alfred Dreyfus, which was a seminal event in modern French history.

John Pilger’s The Dirty War on the National Health Service screening on Australia’s SBS this Sunday

By our reporters, 15 February 2020

The WSWS urges all our readers to watch this powerful documentary on SBS television, at 8.30 p.m. Sunday night, February 16.